磁场系列是直觉，是残留，是记录。
每一幅作品都来自某一个具体的日子，但留下的并不是事件本身，
而是空气、时间、情感在空间中被感知、生成——一种能量场。
我没有主动控制，只是让它发生。
（有些是可以被接近、被叙述的，
有些则已经变得模糊，只剩下一种感受。）
在那段时间里，我处在一种敞开的状态，允许一切发生。——
所以这些画面，并不是我刻意构建的，
而更像是在某种“场”之中，被留下的痕迹。
它可以停留在画面之中，
也可以在某一刻延伸到整个空间。
这取决于观者是否进入了一种足够专注的状态。
当这种状态发生时，画面不再是边界，
而成为一种可以被感知的场。
它是一个可以被反复进入、反复激活的系统。每一张都是一个独立存在的场。
对我来说，顺序只存在于创作过程中，时间，并不是线性的。
The Magnetic Field series is intuition, residue, and record.
Each work comes from a specific day, yet what
remains is not the event itself,
but air, time, and emotion, perceived and
formed within space—an energy field.
I did not exert intentional control; I simply
allowed it to happen.
(Some can be approached and articulated, while others have already become indistinct, leaving only a certain sensation.)
During that period, I was in an open state, allowing everything to happen. —
So these images are not something I deliberately constructed,
but rather traces left within a certain “field.”
It can remain within the work,
or at a certain moment extend into the entire space.
This depends on whether the viewer enters a
state of sufficient concentration.
When this state occurs,
the work is no longer a boundary,
but becomes a field that can be perceived.
It is a system that can be re-entered and reactivated repeatedly.
Each piece exists as an independent field. For me, sequence exists only in the process of
making,
and time is not linear.
